Samuel Billaud started making wine under his own name in 2009, but he is one of the most experienced producers in Chablis, having made wine in the region since 1985.
He produced over 20 vintages for his family
domaine (Domaine Billaud-Simon), initially under the tutelage of his
grandfather, taking over when he died in 1990. In the following years, Samuel fell
out with his uncle (who shared ownership of the estate) and the two eventually
separated. It was at this point Samuel set up his own estate.
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In the vineyard
A key element to Samuel’s success lies with his work in the
vineyard. Yield plays a big factor in the difference between top Chablis and
the mass-produced wines you find on the supermarket shelf.
According to Samuel,
in order to bring structure to Chablis, early de budding in May to reduce the
yield is essential. For Samuel, lowering yields brings power and dynamic energy
to the wines.
His top vineyards
include plots in Grand Cru Les Clos, and the Premiers Crus, Montée de Tonnerre
and Séchet. His Petit Chablis is of particular note – coming from a
small site sitting on Kimmeridgian and Portlandian soils directly above the Grand
Cru Les Clos.
He’s in good company here, with Raveneau the only other producer
with vines on this site, and the resulting wine is closer to Premier Cru than
Petit Chablis, with amazing mineral structure and body.
In the winery
Samuel Billaud’s wines have a distinct style in which the
wines have both a creamy, leesy weight while retaining a contrasting, linear,
focused, mineral brightness. To create this, his fermentations are perhaps
slightly warmer than more high-production Chablis – the warmer fermentation
temperatures and wild yeasts bringing an added weight to the palate.
The
freshness comes from both the right picking date and additional quality control
through hand-harvesting. The flavour complexity and texture are thanks to much
longer lees-ageing than is typical for Chablis (a minimum of 12 months for his
village wines and up to 18 months for his Premiers and Grands Crus).
This
longer ageing on the lees not only retains a freshness in the wines (due to the
reductive properties of the lees), but also add flavour complexity through this
extended contact.
Another key element to his winemaking is his settling
technique. Prior to fermentation, the must is clarified; typically with the
lees separated from the clear juice which is then fermented. Samuel, however,
takes a riskier approach, adding a proportion of the fine lees (solids) to the
fermentation tank too. For Samuel, this is key to gaining the complexity he is
looking for in his wines.